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War and the culture of war at the dawn of history: Ancient China |
5,000 years of increasing monopolization of the culture of war by the state |
The History of the Culture of War What is culture and how does it evolve? Warfare in prehistory and its usefulness The culture of war in prehistory Data from prehistory before the Neolithic Enemy images: culture or biology War and the culture of war at the dawn of history --Ancient Central American civilization Warfare and the origin of the State Religion and the origin of the State A summary of the culture of war at the dawn of history The internal culture of war: a taboo topic --2.External conquest and exploitation: Colonialism and Neocolonialism --3.The internal culture of war and economies based on exploitation of workers and the environment --5.The military-industrial complex --9.Identification of an "enemy" --10.Education for the culture of war --12.Religion and the culture of war --13.The arts and the culture of war |
The development of the first empire in China followed a course of war and culture of war that was remarkably similar, although apparently independent, of the earlier empires in Mesopotamia and Egypt. This is described in the section on the Shang Dynasty in the UNESCO history, including the social structures of the culture of war such as slavery, monarchy and male dominantion: "As early as 1600 BC, China entered the Bronze Age, with her oldest civilization coming into being. This civilization founded the earliest state organization, built fortified cities, created a writing system, developed bronze metallurgy and casting, and other cultural innovations. All this happened in the Shang period in China's history . . " The subservience of women in ancient China is illustrated by the following excerpt from a poem by Fu Xuan in the Third Century BC: "How sad it is to be a woman! It is not clear from the UNESCO history to what point various social classes, other than masters and slaves, were distinguished during the Shang Dynasty, although in the succeeding dynasty in China, the Western Zhou Dynasty (1027-771 BC), it was certainly developed: "The king and vassals controlled a whole set of bureaucratic apparatus, which managed daily governing affairs according to the wills of the rulers. Among the ruled there was the plebeian class who cultivated the 'private field' under the jing-tian system and had to work in the 'communal field' for the feudal lord; still they managed to keep their freeman status. At the bottom of society were slaves who had lost their personal liberty." According to the UNESCO history, it was not until the Western Zhou Dynasty that religion came to fully support the culture of war: "Some new religious ideas, for instance, the concept of the Supreme God (Shang-Ti), came into existence. The Supreme God was believed to be the sovereign dominating all other gods, and it was he who granted the 'mandate of the heaven' to the kings and entrusted them with the power of ruling the world. Such use of religious ideas for maintaining the dynasty's domination was a new development." Did the arts glorify the culture of war in ancient Chinese civilizations? One can point to the recently-discovered life-sized terracotta soldiers buried during the Qin Dynasty around 207 BC, which was the period during which the Great Wall of China was completed. However, this spectacular finding was not necessarily pertinent to the everyday culture of the period, since it was buried with the emperor. From the earliest dynasties, Shang and Western Zhou, there are paintings and murals, but again they do not seem to have been designed to glorify the culture of war. Important manuscripts have been preserved from the Western Zhou Dynasty, including the I Jing (divination manual), the Shi Jing (Book of Odes) and the Shu Jing (Book of Documents). The latter includes many documents relating to warfare, such as "the speech at the battle of Gan," "The punitive expedition of Yin", "the successful completion of the war on Shang", although the essential themes of these manuscripts seemed to have been more philosophical, laying the basis for the ideology of Confucius (551-479 BC). Sun Tzu's Art of War dates from the time of Confucius. This book on military strategy and tactics has been very influential throughout Chinese history and is still respected by military minds today, having been used extensively by Mao Tse Tung. An English translation of the full text of its 13 chapters is available on the Internet at http://www.chinapage.com/sunzi-e.html Sun Tzu emphasizes the importance of warfare to the state and of authoritarian control to the culture of war. He begins as follows with a phrase that sums up the most important message of the present book: "The art of war is of vital importance to the State. It is a matter of life and death, a road either to safety or to ruin. Hence it is a subject of inquiry which can on no account be neglected. Of special interest to our thesis are Sun Tzu's assertions on control of information, in particular the role of secrecy and surprise: "All warfare is based on deception.
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World Peace through the Town Hall
1) The difference between "peace" and "culture of peace" and a brief history of the culture of war 2) The role of the individual in culture of war and culture of peace 3) Why the state cannot create a culture of peace 4) The important role of civil society in creating a culture of peace --Peace and disarmament movements --International understanding, tolerance and solidarity --Movements for free flow of information --The strengths and weaknesses of civil society 5) The basic and essential role of local government in culture of peace --Transparency and the free flow of information --Education for a culture of peace 6) Assessing progress toward a culture of peace at the local level
--Culture of peace measurement at the level of the state 7) Going global: networking of city culture of peace commissions |